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William Roger Dean (born 31 August 1944) is an English artist, designer, and publisher. He began painting posters and album covers for musicians in the late 1960s. The groups for whom he did the most art are the English rock bands Yes and Asia . The covers often feature exotic fantasy landscapes.
When the album came out in February 1990, critical reception was mostly favorable. Mark Coleman called Shake Your Money Maker "the kind of streamlined, supertight groove album that bar-band dreams are made of" in a review for Rolling Stone, [20] whose readers and critics later voted the Black Crowes "Best New American Band" at the end of 1990; [22] the band appeared on the cover of the ...
Pen & Pixel apparently refused to produce possibly political covers. [6] [7] In 2020, Pen & Pixel came out of retirement to design the cover art for 21 Savage and Metro Boomin's Savage Mode II. [8] The artwork is in their signature design, "heavily" inspired by those of Cash Money and No Limit and is a nod to the "bling rap" album covers of the ...
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the American division of multinational conglomerate Sony. Columbia is the oldest surviving brand name in the recorded sound business, [ 3][ 4][ 5] and the second major company to produce records. [ 6]
Website. grammy.com. The Grammy Award for Best Recording Package is one of a series of Grammy Awards presented for the visual look of an album. It is presented to the art director of the winning album. An art director in the context of a music album is a professional responsible for overseeing the visual aspects of the album's production.
A. Acoustically Driven. Alpha (Asia album) Anderson Bruford Wakeman Howe (album) Aria (Asia album) Asia (Asia album) Astra (album) Atomic Roooster. Aura (Asia album)
The album covers of Blue Note Records, an American jazz record label, have been recognized for their distinctive designs. Many of these covers feature a combination of bold colors, experimental typography, and candid photographs of the album's musicians, and have been described as belonging to the Bauhaus and Swiss Style movements.
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