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Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip [1] is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "jive" was played and was adopted more widely in African-American society, peaking in the 1940s.
Jazz involves "a spontaneity and vitality of musical production in which improvisation plays a role" and contains a "sonority and manner of phrasing which mirror the individuality of the performing jazz musician". [15] A broader definition that encompasses different eras of jazz has been proposed by Travis Jackson: "it is music that includes ...
By May 1958, he had replaced Jones with drummer Jimmy Cobb, and Garland left the group, leaving Davis to play piano on "Sid's Ahead" for Milestones. [83] He wanted someone who could play modal jazz, so he hired Bill Evans, a young pianist with a background in classical music. [84] Evans had an impressionistic approach to piano.
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references ...
The origin of the word jazz is one of the most sought-after etymologies in modern American English. Interest in the word – named the Word of the Twentieth Century by the American Dialect Society – has resulted in considerable research and the linguistic history is well documented. "Jazz" originated in slang around 1912 on the West Coast ...
Stride jazz piano, often shortened to stride, is a jazz piano style that arose from ragtime players. Prominent stride pianists include James P. Johnson , Willie "the Lion" Smith , Fats Waller , Luckey Roberts , and Mary Lou Williams .
Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.