Search results
Results From The WOW.Com Content Network
Y. Yes Sir, That's My Baby (song) Categories: Compositions in G major. Jazz compositions by key.
Style. The composition, in the words of jazz writer, Donald Clarke, is "an object lesson in how to swing at a slow tempo." Gary Giddins expands on the importance of tempo in the performance of 'Lil' Darlin,' saying that "in the enduring 'Li ' l Darlin', [Hefti] tested the band's temporal mastery with a slow and simple theme that dies if it isn't played at exactly the right tempo.
For a list of the core jazz standards, see the following lists by decade: Before 1920. 1920s. 1930s. 1940s. 1950s and later. For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes . This article includes a list of related items that share the same name (or ...
Wave (Antônio Carlos Jobim song) Categories: Compositions in D major. Jazz compositions by key.
Serenade No. 9 (Mozart) Serenades (Brahms) Six Flute Concertos, Op. 10 (Vivaldi) Six Humoresques. Sonata for Solo Violin (Prokofiev) Sonata for Two Pianos (Mozart) Sonata in D major for piano four-hands, Op. 6 (Beethoven) String Quartet in D major (Britten) String Quartet No. 1 (Britten)
The following is a list of jazz-influenced classical compositions. Classical music has often incorporated elements or material from popular music of the composer's time. Jazz has influenced classical music, particularly early and mid-20th-century composers, including Maurice Ravel. "While Western classical music emphasizes structure, written ...
Gene Lees. " Waltz for Debby " is a jazz standard composed by pianist Bill Evans, which became "his most famous tune." [1] He first recorded it as a brief solo piano piece on his debut album, New Jazz Conceptions (1956). Lyrics were added about six years later by Evans's friend Gene Lees. [2] ". Debby" in the composition's title refers to Evans ...
"Dazzle" is a song by the English post-punk band Siouxsie and the Banshees. It was released on 25 May 1984 by Polydor Records as the second single from their sixth studio album, Hyæna. Content. The song begins with a gradual fade-in of an orchestral string section and progresses to a drum-driven, majestic anthem.