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"The House of Blue Lights" is a boogie woogie -style popular song written by Don Raye and Freddie Slack. Published in 1946, it was first recorded by Slack with singer Ella Mae Morse and Raye.
Ella Mae Morse in 1944. Ella Mae Morse (September 12, 1924 – October 16, 1999) [1] was an American singer of popular music whose 1940s and 1950s recordings mixing jazz, blues, and country styles influenced the development of rock and roll. Her 1942 recording of "Cow-Cow Boogie" with Freddie Slack and His Orchestra gave Capitol Records its ...
It’s Soul Coughing, the proudly weird cult-favorite NYC-based jazz-meets-poetry-meets-alt-rock foursome whose drugs-and-disparagement 1999 breakup was discussed in excruciating detail in singer ...
Dazzle (song) " Dazzle " is a song by the English post-punk band Siouxsie and the Banshees. It was released on 25 May 1984 by Polydor Records as the second single from their sixth studio album, Hyæna.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or ...
Jazz standards are musical compositions that are widely known, performed, and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in the 1940s that are considered standards by at least one major fake book publication or reference work. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington 's "Cotton Tail ...
Samuel Barclay Charters IV (August 1, 1929 – March 18, 2015) was an American music historian, writer, record producer, musician, and poet. He was a widely published author on the subjects of blues and jazz. He also wrote fiction. [1][2]
Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines. [ 8 ] The mid-1950s saw the emergence of hard bop, which introduced influences from rhythm and blues, gospel, and blues to small groups and particularly to saxophone and piano.