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He cites various jazz performers for the natural quality of their sound production, sound that makes each performer readily identifiable. A final brief section in this chapter, on improvisation, states that group improvisation, a hallmark of early jazz, is a distinctively African practice. Schuller counters a variety of other theories of the ...
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play the music of white American jazz singers. Other jazz vocalists include Bessie Smith and Florence Mills. In urban areas, such as Chicago and New York, African-American jazz was played on the radio more often than in the suburbs.
Originally simply called "jazz", the music of early jazz bands is today often referred to as "Dixieland" or "New Orleans jazz", to distinguish it from more recent subgenres. [ 2 ] The origins of jazz are in the musical traditions of early twentieth-century New Orleans , including brass band music, the blues , ragtime and spirituals , [ 3 ] and ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references ...
1916: Major N. Clark Smith taught at Lincoln High School, Kansas City.From 1922 he taught at Wendell Phillips High School in Chicago.: 1917: A Victor record (Vic catalog no. 18255), "Livery Stable Blues" (side A; matrix/take 19331-1) and "Dixieland Jass Band One-Step" (side B; matrix/take 19332-3), recorded February 16, 1917 (one hundred and seven years ago), at Victor's studio in Manhattan at ...
Nighthawks at the Diner is the third studio album by singer and songwriter Tom Waits, released on October 21, 1975 on Asylum Records. [1] It was recorded over four sessions in July in the Los Angeles Record Plant studio in front of a small invited audience set up to recreate the atmosphere of a jazz club. [2]
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw.