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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
"Sure the One You Need" 1975 – bootleg recording/outtake Jagger/Richards Richards, Wood "Surprise, Surprise" 1964 1965 The Lord's Taverners Charity Album (UK) The Rolling Stones, Now! (US) Jagger/Richards Jagger "Susie Q" 1964 1964 The Rolling Stones No. 2 (UK) 12 X 5 (US) Dale Hawkins/Stan Lewis/Eleanore Broadwater Jagger "Sway" 1970 1971 ...
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Image credits: put0maya #3. Gig night, still a few bands to go before we go on stage. I'm at the bar checking people out and having beers, because stuff's boring.
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.
Hubert Laws (born November 10, 1939) [1] is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres.He is one of the most recognized and respected jazz flutists in the history of jazz.
A jazz term that instructs a lead player or rhythm section member to play an improvised solo cadenza for one or two measures (sometimes abbreviated as "break"), without any accompaniment. The solo part is often played in a rhythmically free manner, until the player performs a pickup or lead-in line, at which time the band recommences playing in ...