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Learn what jazz improvisation is, how it differs from other genres, and how it is done by soloists and accompanists. Explore the history, styles and techniques of jazz improvisation with examples from various eras and artists.
A collection of transcriptions of jazz saxophonist Charlie Parker's compositions and solos. It is a reference for advanced jazz improvisers and a publication by Hal Leonard LLC.
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
Learn about the evolution of jazz guitar from acoustic to electric, and the influential players and styles that shaped its development. Explore the different types of guitars used in jazz, such as archtop, hollow-body, and solid-body, and their features and sounds.
For instance, in example one above (C 7 ♯ 9) the triad of E ♭ major is a (compound) minor 3rd away from C (root of the bottom chord). Thus, this upper structure can be called upper structure flat three, or US ♭ III for short. Other possible upper structures are: USII – e.g. D major over C 7, resulting in C 13 ♯ 11
Learn about the different types of jazz scales, such as modes, whole tone, octatonic and bebop scales, and how they are compatible with chords. Find out the theory and examples of jazz scales and avoid notes, and how they differ from classical harmony.
Jim Hall (1930-2013) was an American jazz guitarist, composer and arranger. He played with many prominent jazz musicians, recorded several solo albums, and taught at the Lenox School of Jazz.
Side-slipping is a method of playing outside, which involves playing over a scale, mode or chord that is harmonically distant from the given chord. Learn about different types of side-slipping, such as playing only the non-scale notes, adding distant ii–V relationships, or playing in a scale a half-step above or below a chord.
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