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The Academy Award for Best Original Song is one of the awards given annually to people working in the motion picture industry by the Academy of Motion Picture Arts and Sciences (AMPAS). It is presented to the songwriters who have composed the best original song written specifically for a film. The performers of a song are not credited with the ...
The Urdu alphabet ( Urdu: اردو حروفِ تہجی, romanized : urdū ḥurūf-i tahajjī) is the right-to-left alphabet used for writing Urdu. It is a modification of the Persian alphabet, which itself is derived from the Arabic script. It has official status in the republics of Pakistan, India and South Africa.
from Hindi and Urdu: An acknowledged leader in a field, from the Mughal rulers of India like Akbar and Shah Jahan, the builder of the Taj Mahal. Maharaja. from Hindi and Sanskrit: A great king. Mantra. from Hindi and Sanskrit: a word or phrase used in meditation. Masala. from Urdu, to refer to Indian flavoured spices.
There’s her song for Four Good Days, in which Mila Kunis shakes off crack addiction. Her song for Tell It Like a Woman , a female empowerment anthology film starring Cara Delevingne.
The song ultimately los t the Oscar to “What Was I Made For” from “Barbie,” but Gladstone said March 12 on X, formerly Twitter, that seeing Osage singers perform was a win for representation.
The song "Swinging the Alphabet" is sung by The Three Stooges in their short film Violent Is the Word for Curly (1938). It is the only full-length song performed by the Stooges in their short films, and the only time they mimed to their own pre-recorded soundtrack. The lyrics use each letter of the alphabet to make a nonsense verse of the song:
And so afraid of change In a world that never stops changing So let the walls come down The world will never stop changing (Never stop changing) (Never stop changing) (Never stop changing) Oh ...
Oscar Hammerstein II. " Do-Re-Mi " is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.