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Frith's analysis of popular music is based in sociology. Theodor Adorno was a prominent philosopher who wrote on the aesthetics of popular music. A Marxist, Adorno was extremely hostile to popular music. His theory was largely formulated in response to the growing popularity of American music in Europe between World War I and World War II.
History of ethnomusicology. Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component.
Music theory. Jubal, Pythagoras and Philolaus engaged in theoretical investigations, in a woodcut from Franchinus Gaffurius, Theorica musicæ (1492) Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the " rudiments ...
Neoclassicism (music) Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction ...
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
Because music was considered to be free of the constraints of reason, imagery, or any other precise concept, it came to be regarded, first in the writings of Wackenroder and Tieck and later by writers such as Schelling and Wagner, as preeminent among the arts, the one best able to express the secrets of the universe, to evoke the spirit world ...
t. e. Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound. Ethnomusicologists study music as a reflection of culture and ...
Major figures. The three central figures of musical expressionism are Arnold Schoenberg (1874–1951) and his pupils, Anton Webern (1883–1945) and Alban Berg (1885–1935), the so-called Second Viennese School. Other composers that have been associated with expressionism are Ernst Krenek (1900–1991) (the Second Symphony, 1922), Paul ...