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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique. [2][3][4] As a philosophy ...
The Dazzle ships of the 14–18 NOW project are artworks created to commemorate the work of the artists and artisans who developed and designed the dazzle camouflage used in the First World War by ships as a defence against U-boat attack. MV Snowdrop, at Birkenhead, in dazzle livery. HMS President displaying dazzle livery by Tobias Rehberger.
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Waiting for Godot (/ ˈ ɡ ɒ d oʊ / ⓘ GOD-oh [1]) is a play by Irish playwright Samuel Beckett in which two characters, Vladimir (Didi) and Estragon (Gogo), engage in a variety of discussions and encounters while awaiting the titular Godot, who never arrives. [2]
Regardless of the age, however, it is common in English translation to simplify this hierarchy into the three ranks of empress, consorts, and concubines. [1] It is also common to use the term " harem ", an Arabic loan word used in recent times to refer to imperial women's forbidden quarters in many countries.
Dazzle consists in painting obtrusive patterns on vertical surfaces. Unlike some other forms of camouflage, dazzle works not by offering concealment but by making it difficult to estimate a target's range, speed and heading. Each ship's dazzle pattern was unique to make it more difficult for the enemy to recognize different classes of ships.
For Cervantes and the readers of his day, Don Quixote was a one-volume book published in 1605, divided internally into four parts, not the first part of a two-part set. The mention in the 1605 book of further adventures yet to be told was totally conventional, did not indicate any authorial plans for a continuation, and was not taken seriously by the book's first readers.
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