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The Universal Dictionary of Violin & Bow Makers is a widely cited reference work providing information on approximately 9,000 violin makers. The work is based on the extensive notes of violinist and composer William Henley (1874-1957). Henley had in his youth studied with August Wilhelmj, and later became a professor of composition and ...
Bowing behind the bridge. This fairly common extended technique involves bowing the instrument on the afterlength, the short length of string behind the bridge. The tone is very high and squeaky. 3rd bridge is a term more used on electric guitars or prepared guitars, but is the same technique. Playing the instrument at a string part behind the ...
A bow maker or archetier typically uses between 150 and 200 hairs [4] from the tail of a horse for a violin bow. Bows for other members of the violin family typically have a wider ribbon, using more hairs. There is a widely held belief among string players, neither proven nor disproven scientifically, that white hair produces a "smoother" sound ...
John Dodd (bow maker) John Dodd (1752 in London – 1839 in Richmond, Surrey) was British bowmaker. He was considered to be the greatest English bowmaker before and until James Tubbs. [1] He was a gunlock fitter and then a money-scale maker before turning to bow making. John Dodd was a contemporary of François Tourte and worked in London.
William C. Honeyman was born in Wellington, New Zealand in 1845 to Thomas and Eliza Honeyman, who had emigrated from Scotland four years earlier. [2] [3] He was the grandson of minor Scottish poet and songwriter, Adam Crawford. [4] Honeyman returned to Britain with his mother and three siblings in 1849. [5]
A 3/4 violin is 335 mm (13.2 in), and a 1/2 size is 310 mm (12 in). Rarely, one finds a size referred to as 7/8 which is approximately 340 mm (13.5 in), sometimes called a "ladies' fiddle." Viola size is specified as body length rather than fractional sizes. A 'full-size' viola averages 400 mm (16 in), but may range as long as 450 or 500 mm (18 ...
A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument ...
A 3 ⁄ 4 violin's body length is 335 mm (13.2 in), and a 1 ⁄ 2 size is 310 mm (12.2 in). With the violin's closest family member, the viola, size is specified as body length in inches or centimeters rather than fractional sizes. A full-size viola averages 40 cm (16 in). However, each individual adult will determine which size of viola to use.