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Frith's analysis of popular music is based in sociology. Theodor Adorno was a prominent philosopher who wrote on the aesthetics of popular music. A Marxist, Adorno was extremely hostile to popular music. His theory was largely formulated in response to the growing popularity of American music in Europe between World War I and World War II.
Music theory. Jubal, Pythagoras and Philolaus engaged in theoretical investigations, in a woodcut from Franchinus Gaffurius, Theorica musicæ (1492) Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the " rudiments ...
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.
Neoclassicism (music) Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction ...
Harmony. Barbershop quartets, such as this US Navy group, sing 4-part pieces, made up of a melody line (normally the lead) and 3 harmony parts. In music, harmony is the concept of combining different sounds together in order to create new, distinct musical ideas. [ 1] Theories of harmony seek to describe or explain the effects created by ...
The term "art music" refers primarily to classical traditions (including contemporary as well as historical classical music forms) that focus on formal styles, invite technical and detailed deconstruction [ 3] and criticism, and demand focused attention from the listener. In strict western practice, art music is considered primarily a written ...
Baroque music ( UK: / bəˈrɒk / or US: / bəˈroʊk /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [ 1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style ). The Baroque period is divided into ...
The doctrine of the affections was an elaborate theory based on the idea that the passions could be represented by their outward visible or audible signs. It drew largely on elements with a long previous history, but first came to general prominence in the mid-seventeenth century amongst the French scholar-critics associated with the Court of ...