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Topographical poetry or loco-descriptive poetry is a genre of poetry that describes, and often praises, a landscape or place. John Denham 's 1642 poem "Cooper's Hill" established the genre, which peaked in popularity in 18th-century England. Examples of topographical verse date, however, to the late classical period, and can be found throughout ...
The Sangam landscape ( Tamil: அகத்திணை "inner classification") is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature. The core of the device was the categorisation of poems into different tiṇai s or modes, depending on the nature, location, mood and type of ...
Poet on a Mountaintop is in the style of the Wu School, which sought to emphasize a close relationship between poetry, calligraphy, and painting. In Poet on a Mountaintop, a poet stands at the top of a mountain, seemingly gazing at the poem written in calligraphy. All three forms of art are incorporated into this painting, each uniquely related ...
Du Fu. There are no contemporaneous portraits of Du Fu; this is a later artist's impression. Du Fu ( Chinese: 杜 甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. [ 1]
The Chinese garden is a landscape garden style which has evolved over three thousand years. It includes both the vast gardens of the Chinese emperors and members of the imperial family, built for pleasure and to impress, and the more intimate gardens created by scholars, poets, former government officials, soldiers and merchants, made for reflection and escape from the outside world.
A natural landscape is the original landscape that exists before it is acted upon by human culture. [ note 1] The natural landscape and the cultural landscape are separate parts of the landscape. [ note 2] However, in the 21st century, landscapes that are totally untouched by human activity no longer exist, [ 3] so that reference is sometimes ...
Mountains and Rivers Without End. Mountains and Rivers Without End is an epic poem by American poet and essayist Gary Snyder. Snyder began writing the thirty-nine poems contained in the epic in 1956 and published the final version in 1996. The work is divided into four parts, each exploring a different theme. [ 1]
Landscape images were present in the early Shijing and the Chuci, but in later poetry the emphasis changed, as in painting to the Shan shui (Chinese: 山水 lit. "mountain-water") style featuring wild mountains, rivers and lakes, rather than landscape as a setting for a human presence. [54]