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Free Jazz was the first album-length improvisation at thirty-seven minutes, unheard of at the time. The original LP package incorporated Jackson Pollock's 1954 painting The White Light . [ 10 ] The cover was a gatefold with a cutout window in the lower right corner allowing a glimpse of the painting; opening the cover revealed the full artwork ...
Free jazz. Free jazz, or free form in the early to mid-1970s, [ 1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
Archival recordings. Wikipedians. Wikipedia:Free sound resources. Shortcut. WP:FSR. There are a number of free sound effects resources of public domain or free content sound recordings appropriate for Wikipedia use available online, and as well as in other contexts. All files should be converted to ogg, Wikipedia's patent-free format of choice.
Free improvisation, as a genre of music, developed primarily in the U.K. as well as the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and contemporary classical music. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros ...
In the 1950s and 1960s, free jazz pioneers such as Ornette Coleman and Albert Ayler developed unusual new sounds and playing styles. In the early 1960s, Woody Herman's lead "(Four) Brother", Stan Getz, played cool jazz with Brazilian musicians in the emerging bossa nova style. Getz was known for his rich tone, ability to swing and impeccable ...
Ethno jazz, a form of ethno music, is sometimes equaled to world music or is regarded as its successor, particularly before the 1990s. An independent meaning of "ethno jazz" emerged around 1990. 1990s -> European free jazz: European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco ...
The Shape of Jazz to Come is the third album by the jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. [3] The recording session for the album took place on ...
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