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The we’re-never-going-to-play-together-again-to-lucrative-reunion trail is well-worn at this point — just ask such famously feuding acts as the Eagles, Guns ‘N Roses, Pixies and, most ...
Yelp Inc. is an American company that develops the Yelp.com website and the Yelp mobile app, which publishes crowd-sourced reviews about businesses. It also operates Yelp Guest Manager, a table reservation service. It is headquartered in San Francisco. Yelp was founded in 2004 by former PayPal employees Russel Simmons and Jeremy Stoppelman.
In addition to his own projects as a leader (BCME and The Fred Hess Group), he was the founding director of Denver's Creative Music Works Orchestra and was a member of drummer Ginger Baker's Denver Jazz Quintet, as well as ensembles led by trumpeter Ron Miles. His most recent performing group was the Fred Hess Big Band.
Fontainebleau. (album) Fontainebleau is a 1956 album by jazz musician Tadd Dameron. [3][4] The title track, inspired by a trip to the French palace of the same name, is a through-composed composition with no solos, while "Flossie Lou" is a contrafact of "Jeepers Creepers". [5]
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
All About Jazz Magazine -Reviews: "Sol Boricua" Album [25] and "Music & Friends" Album 5 Star Review by James Nadal: -“Carmen Noemí is a cultured lyrical composer… her music is aptly imaginative in an organic sense…a visionary pianist”.
The album received the Grammy Award for Best Instrumental Jazz Performance, Individual or Group in 2000 and reached Number 12 on the Billboard Top Jazz Albums chart. [1]In his AllMusic review, David R. Adler calls the album "a knockout," saying the quartet "deftly [executes] a dizzying series of tempo shifts and subtle cues, all seamlessly worked into a fabric of extended, burning improvisation."