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Art Tatum. Arthur Tatum Jr. (/ ˈteɪtəm /, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. [1][2] From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his ...
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
Years active. 1925–1954. Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 [1] – December 30, 2004) [2] was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists", [3] Shaw led one of the United States' most popular big bands in the late ...
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
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Dunham Records. Charles Edward Bradley (November 5, 1948 – September 23, 2017) was an American funk and soul singer. [2][3] After years of obscurity and a part-time music career, Bradley came to prominence in his early 50s. His performances and recording style were consistent with the revivalist approach of his main label Daptone Records ...
Earl Hines. Earl Kenneth Hines, also known as Earl " Fatha " [nb 1] Hines (December 28, 1903 [nb 2] – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz".
Writing for Variety, Chris Morris commented: "At its heart, Both Directions at Once is a portrait of an artist and a band on the brink of a historic explosion. The bracing, probing, self-questioning and keenly played music on this collection is the missing link between the provisional work heard on 1962's Coltrane and the quartet's epochal ...