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The Wonderful World of Jazz. The Wonderful World of Jazz. Studio album by. John Lewis. Released. 1961. Recorded. July 29 and September 8 & 9, 1960. NYC.
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
285 (first edition) 373 (second edition) ISBN. 978-0-8203-0853-1. OCLC. 263157308. Up from the Cradle of Jazz: New Orleans Music Since World War II is a book by Jason Berry, Jonathan Foose and Tad Jones. It chronicles the history of New Orleans music, primarily rhythm and blues, and its evolution post- World War II. It was first published in 1986.
Lee Morse (1927) (comedian, with piano and guitar, recorded March 16, 1927; released by Columbia Records as catalog number 974-D, with the flip side "My Idea of Heaven") [8] Oreste and his Queensland Orchestra with Jack Kaufman, late 1927, Menlo Park, Edison cylinder. The Rhythm Boys including Bing Crosby, Paul Whiteman and His Orchestra ...
Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles.
Michael Sutton of AllMusic wrote, "The music on Turn Back the Clock is generally upbeat synth pop, but the words are often sad. Although Johnny Hates Jazz offer no profound revelations about failed relationships or lost love, there is genuine emotion beneath the studio luster of "What Other Reason," "Different Seasons," "Don't Let It End This Way," and "Foolish Heart."".
Writing for Variety, Chris Morris commented: "At its heart, Both Directions at Once is a portrait of an artist and a band on the brink of a historic explosion. The bracing, probing, self-questioning and keenly played music on this collection is the missing link between the provisional work heard on 1962's Coltrane and the quartet's epochal ...
AllMusic awarded the album 3 stars stating: "The music here is a reflection of the church, using a broader base of textures and colors in jazz. The dynamics are powerful in this performance, and the communication between Horn's quintet, the orchestra led by Lalo Schifrin, and the chorus is undeniably magical.