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Milestones (instrumental composition) "Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album Kind ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards ...
This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals.
Invitation (song) " Invitation " is a song by Bronisław Kaper with lyrics by Paul Francis Webster, which originally appeared in the film A Life of Her Own (1950). Although it was nominated for a Golden Globe award for Best Score in the original film, it only became a jazz standard after being used as the theme in the 1952 film Invitation. [1]
It was composed by Nick LaRocca and Larry Shields, and first recorded as "At the Jass Band Ball" by the Original Dixieland Jazz Band on September 3, 1917, in New York and released as an Aeolian Vocalion single, A1205. The instrumental was rerecorded on March 19, 1918, and was released as a Victor 78 single, Victor 18457, Matrix #B-21583/1, with ...
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