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A music video supporting The-Dream's track "Rockin' That Thang", which is explicitly titled "Rockin' That S***", has been released. Directed by Ray Kay, the video mainly captures his performance with several sexy women dancing behind him. The members of Electrik Red are also featured as dancers in parts of the video and Nash appears to wear a ...
The discography of American singer-songwriter The-Dream consists of six studio albums, most of which on Def Jam Recordings. His career also includes a number of singles, guest appearances, and various writing/production credits. In the summer of 2015, it was announced that he had left Capitol Records leaving future releases on hold.
The Cremorne (1882) Escort (Paul Raymond Publications, UK, 1980–present) Fiesta (Galaxy Publications, UK, 1966–2020) Mayfair (Paul Raymond Publications, UK) Men Only (Paul Raymond Publications, UK) Men's World (Paul Raymond Publications, UK) Knave (Galaxy Publications, UK, 1968–2015) The Pearl (1879–1880) Penthouse (1965–present) and ...
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The-Dream. Terius Adamu Ya Gesteelde-Diamant[ 2][ 3] ( né Youngdell Nash; born September 20, 1977), better known by his stage name The-Dream, is an American singer-songwriter and record producer. [ 4][ 5] He writes songs for artists in R&B and hip hop, often in tandem with production partner Tricky Stewart.
Falsetto (song) " Falsetto " is the second single from The-Dream's debut studio album, Love/Hate. [1] The song is produced by Christopher "Tricky" Stewart [1] and was released on September 28, 2007. [2]
IV Play is the fifth album by American recording artist The-Dream. The album was released on May 28, 2013, by Radio Killa Records and Def Jam Recordings. [1] It features guest appearances from Jay-Z, Big Sean, Beyoncé, Pusha T, 2 Chainz, Kelly Rowland, Gary Clark Jr. and Fabolous. IV Play is an R&B album with overtly sexual themes.
Voices (Cheap Trick song) " Voices " is a song written by Rick Nielsen and recorded by American rock band Cheap Trick which appeared on the album Dream Police. The single was released in 1979 and peaked at number 32 in the US. [1] The single has become one of the band's more widely known tracks.