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(Spanish: [poɾˈke no te ˈkaʎas]; English: "Why don't you shut up?") is a phrase that was uttered by King Juan Carlos I of Spain to Venezuelan President Hugo Chávez, at the 2007 Ibero-American Summit in Santiago, Chile, when Chávez was repeatedly interrupting Spanish Prime Minister José Luis Rodríguez Zapatero's speech.
Shut up. " Shut up " is a direct command with a meaning very similar to " be quiet ", but which is commonly perceived as a more forceful command to stop making noise or otherwise communicating, such as talking. The phrase is probably a shortened form of " shut up your mouth " or " shut your mouth up ". Its use is generally considered rude and ...
Conch. Concha (lit.: " mollusk shell" or "inner ear") is an offensive word for a woman's vulva or vagina (i.e. something akin to English cunt) in Argentina, Colombia, Chile, Ecuador, Paraguay, Peru, Uruguay and Mexico. In the rest of Latin America and Spain however, the word is only used with its literal meaning.
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"Shut Up and Dance" is a pop rock, [13] power pop, [14] synth rock, [15] and alternative rock song [19] that is driven by synthesizer and dance grooves. [13] It incorporates production that is reminiscent of the 1980s, with gated ambience added to the drums, sheeny synth pads, reversed snare 'whooshes', and stadium-sized reverb and delay effects. [20]
Constituting one of the grammatical categories of Spanish, mood indicates modality, that is, the way a hypothetical or desired situation is expressed in a language. There are three to five moods in Spanish, among which is the subjunctive, which occurs in dependent clauses and, sometimes, in independent clauses to describe at least one of the following expressions: necessity, possibility, hopes ...
"Shut Up and Drive" is a song by Barbadian singer Rihanna for her third studio album, Good Girl Gone Bad (2007). It was written and produced by Carl Sturken and Evan Rogers, and features an interpolation of the 1983 song "Blue Monday" by the British band New Order, whose members Bernard Sumner, Peter Hook, Stephen Morris, and Gillian Gilbert received songwriting credits.