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In Japan, it was called kishōtengō (起承転合), from which the English word derives. Back in China, after the baguwen lost favor with the fall of the Qing Dynasty , and due to its difficulty, a revival of the qichengzhuanhe form came back in popular education, relabeled as "kaiduan-fazhan-gaochao-jieju" (beginning, development, climax ...
Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard 's spotted coat, the battledress of a modern soldier, and the leaf-mimic katydid 's wings.
v. t. e. Domestication and foreignization are strategies in translation, regarding the degree to which translators make a text conform to the target culture (the culture corresponding to the language in which the translation is made). Domestication is the strategy of making text closely conform to the culture of the language being translated to ...
For example, the screen lit up the numbers “1993” and we saw a startlingly lifelike version of a 14-year-old Usher dancing to his first single, “Call Me A Mack,” while the real, 45-year ...
Interlinear gloss. In linguistics and pedagogy, an interlinear gloss is a gloss (series of brief explanations, such as definitions or pronunciations) placed between lines, such as between a line of original text and its translation into another language. When glossed, each line of the original text acquires one or more corresponding lines of ...
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style ...
Translation of a text that is sung in vocal music for the purpose of singing in another language—sometimes called "singing translation"—is closely linked to translation of poetry because most vocal music, at least in the Western tradition, is set to verse, especially verse in regular patterns with rhyme.
Subtitles can be used to translate dialogue from a foreign language into the native language of the audience. It is not only the quickest and cheapest method of translating content, but is also usually preferred as it is possible for the audience to hear the original dialogue and voices of the actors.