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The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [citation needed], although it may be found in other types of music as well. It may be derived from the major scale with a minor third, [ 1 ...
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
Common jazz parlance refers to upper structures by way of the interval between the root of the bottom chord and the root of the triad juxtaposed above it. [2] For instance, in example one above (C 7 ♯ 9) the triad of E ♭ major is a (compound) minor 3rd away from C (root of the bottom chord).
Chord-scale system. Heptatonic scale. Jazz scale. List of chord progressions. List of chords. List of musical intervals. List of pitch intervals. Arabian maqam. Modes of limited transposition.
Altered scale. In jazz, the altered scale, altered dominant scale, or Super Locrian scale ( Locrian ♭4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and ...
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1] For example, if a tune is in the key of C, if there ...
Idle Moments is an album by American jazz guitarist Grant Green recorded in 1963 and released on the Blue Note label in 1965. [1] It features performances by tenor saxophonist Joe Henderson, vibraphonist Bobby Hutcherson, pianist Duke Pearson, bassist Bob Cranshaw and drummer Al Harewood .
George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book Lydian Chromatic Concept of Tonal Organization (1953). [ 1]