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Suicide Is Painless. " Suicide Is Painless " (also known as " Theme from M*A*S*H " or " Song from M*A*S*H ") is a song written by Johnny Mandel (music) and Michael Altman (lyrics) for the 1970 film M*A*S*H. In addition to being performed by characters in the film, it plays during the title sequence as sung by The Ron Hicklin Singers.
The song's original version was released in Japan on March 21, 1992, on a split single by Dali and Misae Takamatsu titled "Moonlight Densetsu / Heart Moving" (ムーンライト伝説/HEART MOVING). The Dali recording of "Moonlight Densetsu" served as the opening theme for the first two seasons of Sailor Moon ' s anime adaptation.
Shuffle Boil. A 32-bar tune in AABA-form, with an unusual bass ostinato. The title is a corruption of "shuffle ball", which is a move commonly used in tap dance. It was first recorded by Gigi Gryce with Monk as a sideman on October 15, 1955, for Gryce's album Nica's Tempo, [25] and later appears on It's Monk's Time.
Release. "Dazzle" was released in a shorter and slightly different radio edit version on 25 May 1984 by Polydor Records as the second single from the band's sixth studio album, Hyæna. It climbed to number 33 on the UK Singles Chart and was Siouxsie and the Banshees' 11th top 40 UK hit. [3]
For other people named Bill Haley, see Bill Haley (disambiguation). William John Clifton Haley (/ ˈheɪli /; July 6, 1925 – February 9, 1981) was an American rock and roll musician. He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as ...
Milestones (instrumental composition) "Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album Kind ...
Let’s Face the Music and Dance’s” debut as an original song for the Hollywood film, Follow the Fleet, signified the popularisation of jazz, demonstrating a notable example of jazz on the silver screen. This jazz composition adheres to the typical conventions within the genre of jazz in the 1930s paradigm, classed as part of the ...
Paul Samuel Whiteman [1] (March 28, 1890 – December 29, 1967) [2] was an American bandleader, composer, orchestral director, and violinist. [3]As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz".