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Smooth jazz is a term used to describe commercially oriented crossover jazz music. Although often described as a "genre", it is a debatable and highly controversial subject in jazz music circles. As a radio format, however, it is clear that smooth jazz became the successor to easy listening music on radio station programming in the mid-1970s to ...
The Rippingtons. The Rippingtons are an American contemporary jazz group, mainly relating to the genres smooth jazz, jazz fusion, jazz pop, and crossover jazz. Formed in 1985 by guitarist and band leader Russ Freeman, their career has spanned more than three decades. With a revolving door of musicians, Freeman has been the only consistent ...
Columbia, ARTizen, Peak, Heads Up. Website. www .peterwhite .com. Peter White (born 20 September 1954) is an English musician and composer who plays guitar, piano, accordion and harmonica. He is known for his 20-year collaboration with Al Stewart. [ 1]
Musical artist. Signature. Kenneth Bruce Gorelick (born June 5, 1956), known professionally as Kenny G, is an American smooth jazz saxophonist, composer, and producer. [ 1] His 1986 album Duotones brought him commercial success. [ 1] Kenny G is one of the best-selling artists of all time, with global sales totaling more than 75 million records.
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
10 Other Instruments. 11 Composers. 12 Disc jockeys. ... The following artists and bands have performed smooth jazz ... 24k Music Network syndicated television and ...
T. Smooth jazz trumpeters (7 P) Categories: Jazz musicians by genre and instrument.
Furthermore, I question the assumption that smooth jazz is an unfortunate and unwelcomed evolutionary outcome of the jazz-fusion era. Instead, I argue that smooth jazz is a long-lived musical style that merits multi-disciplinary analyses of its origins, critical dialogues, performance practice, and reception. [210]
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