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Donna Lee. "Donna Lee" is a jazz standard tune attributed to Charlie Parker, although Miles Davis has also claimed authorship. [1][2] Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". [1] Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a ...
A Night in Tunisia is a studio album by Art Blakey and the Jazz Messengers, released in May 1961 through Blue Note Records. [6] It was recorded in August 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey. In the original liner notes by Barbara J. Gardner, she wrote: "This album is a prime example of Blakey's expressed desire to showcase ...
Scott Yanow of AllMusic stated: "The final recording by Art Blakey's Jazz Messengers found the 70-year old drummer (just months before his death) doing what he loved best, leading a group of young players through hard-swinging and generally new music in the hard-bop style... A satisfying final effort from an irreplaceable drummer and bandleader".
Russell's original six Lydian scales [1] The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode.
Jazz chord. Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C ...
Pisces. (1961) Meet You at the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey & the Jazz Messengers recorded at the Birdland jazz club on September 14, 1960 and released on Blue Note in July 1961 and May 1962 respectively. The quintet features horn section Lee Morgan and Wayne Shorter and ...
"Invitation" is an example of the peculiar process of "survival of the fittest" that has shaped the jazz repertoire. ... [It] has survived solely because jazz musicians have enjoyed playing it. This song was probably too complex for the mass market in 1952, and it certainly is far beyond what passes for popular music today. During the course of ...
Similarly, Steve Norman's saxophone is finally, for almost the only time in the band's entire career, put to good use on his melodic and well-placed solo. "True" is complete chart fodder, of course, but it's really, really good chart fodder. Some critics showed complete disdain for the song, including different writers for The Guardian.