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The ID3v1 series, in particular, stores genre as an 8-bit number (therefore ranging from 0 to 255, with the latter having the meaning of "undefined" or "not set"), allowing each file to have at most one genre out of a fixed list. Genre definitions 0-79 follow the ID3 tag specification of 1999. [1]
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Released: January 18, 2003. Chicago: Music from the Miramax Motion Picture is a soundtrack album featuring all of the original songs of the 2002 Best Picture Academy Award -winning musical film Chicago starring Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Mýa Harrison and Christine Baranski.
He has recorded three albums under his own name for Criss Cross Jazz. In recent years, Gisbert has become an active and highly respected jazz educator, teaching at festivals and conducting clinics across the United States. He also had two stints on the Jazz faculty at the University of Miami in the 2000s. He has also branched out in producing ...
Swiss Movement. (1969) Comment. (1969) Swiss Movement is a soul jazz [1] live album recorded on June 21, 1969 at the Montreux Jazz Festival in Switzerland by the Les McCann trio, with saxophonist Eddie Harris and trumpeter Benny Bailey. [2][3] The album was a hit record, as was the accompanying single "Compared to What", with both selling ...
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that ...
It is debatable whether Marsalis' critical and commercial success was a cause or a symptom of the reaction against Fusion and Free Jazz and the resurgence of interest in the kind of jazz pioneered in the 1960s (particularly modal jazz and post-bop); nonetheless there were many other manifestations of a resurgence of traditionalism, even if ...
The Lick. The Lick is a lick (a stock musical phrase) that has been used on numerous jazz and pop records and is part of several classical compositions, to the point that it has been described as "the most famous jazz cliché ever". [1] In recent years, it has become an internet meme and is sometimes used for comedic effect. [2][3]