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  2. Giant Steps (composition) - Wikipedia

    en.wikipedia.org/wiki/Giant_Steps_(composition)

    Giant Steps (composition) " Giant Steps " is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many ...

  3. Glossary of dance moves - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_dance_moves

    Cross-body lead is a common and useful move in Latin dances such as salsa, mambo, rumba and cha-cha-cha. Basically, the leader, on counts 2 and 3 of their basic step (assuming dancing on 1), does a quarter-left turn (90° counter-clockwise) while still holding on to the follower. On counts 4 and 5, the follower is led forward across the leader ...

  4. ii–V–I progression - Wikipedia

    en.wikipedia.org/wiki/Ii–V–I_progression

    The ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony. It is a succession of chords whose roots descend in fifths from the second degree (supertonic) to the fifth degree ...

  5. Cherokee (Ray Noble song) - Wikipedia

    en.wikipedia.org/wiki/Cherokee_(Ray_Noble_song)

    Ray Noble. " Cherokee " (also known as " Cherokee (Indian Love Song) ") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). [1] Due to the tune incorporating many of the ...

  6. Backdoor progression - Wikipedia

    en.wikipedia.org/wiki/Backdoor_progression

    Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.

  7. Tranky Doo - Wikipedia

    en.wikipedia.org/wiki/Tranky_Doo

    At that time, it was danced to Tuxedo Junction, however many modern day performances of the dance use other swing jazz songs. It is most common these days to perform the dance with the song "Dipsy Doodle" by Ella Fitzgerald because the dance appears in the Spirit Moves documentary film with a playback of the song. However the film originally ...

  8. Jazz dance - Wikipedia

    en.wikipedia.org/wiki/Jazz_dance

    Jazz dance is a performance dance and style that arose in the United States in the early 20th century. [1][2] Jazz dance may allude to vernacular jazz, Broadway or dramatic jazz. The two types expand on African American vernacular styles of dance that arose with jazz music. Vernacular jazz dance incorporates ragtime moves, Charleston, Lindy hop ...

  9. Outside (jazz) - Wikipedia

    en.wikipedia.org/wiki/Outside_(jazz)

    Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.