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On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
The Allmusic review by Matt Collar states: "the icon of '50s cool attempted to reinvigorate his career and showcase his musical growth by enlisting the sensitive piano chops of Hal Galper and old collaborator tenor saxophonist Phil Urso.
The we’re-never-going-to-play-together-again-to-lucrative-reunion trail is well-worn at this point — just ask such famously feuding acts as the Eagles, Guns ‘N Roses, Pixies and, most ...
In 1952, the Institute of Jazz Studies was founded by Marshall Stearns, a jazz scholar, literature professor, and author. [1] Stearns had a plan for a jazz institute as early as 1949, which he thought to call the "Institute of Modern American Music". It was originally located at his apartment at 108 Waverly Place in New York City. Marshall ...
Following Cafêzz’ successful debut, the group became quite popular and was invited to perform in many revered venues. On September 15, 2014, the quintet performed at the Inter Metro Jazz Festival with local guitarist Jorge Laboy collaborating on several pieces, including "Espresso Jam".
The album, although not generally regarded as one of Mingus's best, does feature three remarkable compositions: "Canon", "Opus 3", and "Opus 4". "Canon" is a theme, as the title suggests, that can be superimposed upon itself. The song has a spiritual character, à la Coltrane, and is played with a warm sound by Pullen and Adams.
In 1960 it was awarded as Best Jazz Performance - Soloist From 1961 to 1971 the award was combined with the Grammy Award for Best Jazz Instrumental Album, Individual or Group From 1972 to 1978 it was awarded as Best Jazz Performance by a Soloist
The Allmusic review by Michael G. Nastos stated "With few Jimmy Rowles recordings in the world, this has to rank as his best, clearly the most entertaining, and a project Getz was ever proud to bring to the jazz world. It is definitive, deserving of the Columbia Jazz Masterpieces tag, and a must-have item in your modern jazz collection". [4]