Ad
related to: straight ahead jazz quintet in c key piano play
Search results
Results From The WOW.Com Content Network
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Harriott's free-form compositions normally formed only a portion of live gigs. Indeed, the final album recorded by the quintet, 1964's High Spirits (Columbia), was a straight-ahead jazz interpretation of compositions from the musical of that name, which was based on the Noël Coward play Blithe Spirit. [5] However, the continuing hostility of the older British jazz establishment to free form ...
His quintet in 1949 recorded the first free group improvisations. Tristano's innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies.
Jazz at Massey Hall is a live album released on December 1953 by jazz combo The Quintet through Debut Records. It was recorded on 15 May 1953 at Massey Hall in Toronto, Canada.
While their work was categorized as "jazz fusion", the band members generally distanced themselves from that term. From the start, Weather Report took the unusual approach of abandoning the traditional "soloist/accompaniment" demarcation of straight-ahead jazz and featured opportunities for continuous improvisation by every member of the band.
Geoffrey Keezer. Geoffrey Keezer (born November 20, 1970) is an American jazz pianist. In 2023, he won the Best Instrumental Composition Grammy [1] for Refuge. Keezer was playing in jazz clubs as a teenager, playing piano for Art Blakey at age 18 and touring with Joshua Redman, Benny Golson and Ray Brown in his 20s.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969.
Dolphy also performed on key recordings by George Russell (Ezz-thetics), Oliver Nelson (Screamin' the Blues, The Blues and the Abstract Truth, and Straight Ahead), and Ornette Coleman (Free Jazz: A Collective Improvisation and the Free Jazz outtake on Twins).
Ad
related to: straight ahead jazz quintet in c key piano play