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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Miles Smiles is an album by the jazz musician Miles Davis. It was released on February 16, 1967 [1] through Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. [4] It is the second of six albums recorded by Davis' second great quintet, which ...
Jazz musician and composer. Joseph Arthurlin Harriott (15 July 1928 – 2 January 1973) [1] was a Jamaican jazz musician and composer, whose principal instrument was the alto saxophone. Initially a bebopper, he became a pioneer of free-form jazz. Born in Kingston, Harriott moved to the United Kingdom as a working musician in 1951 and lived in ...
In most jazz standards, the A-section is used to establish the key, while the B-section has tonal excursions, but in "Introspection", the roles of the sections are reversed. The A-section doesn't land on a stable chord until bar 6 where it lands on D Δ7 , but the B-section establishes D ♭ Δ7 as a new key center.
The Penguin Guide to Jazz Recordings. [6] Milestones is a studio album by Miles Davis. It was recorded with his "first great quintet " (augmented to a sextet with the addition of alto saxophonist Cannonball Adderley) and released in September of 1958 by Columbia Records. [8]
Professional ratings. Basie Straight Ahead is an album recorded at TTG Studios, Hollywood, California in October 1968 featuring Count Basie and his orchestra. This album marked the first collaboration between Basie and his long-time orchestrator, Sammy Nestico, who composed, arranged and conducted all of the songs on the record. [3]
Miles in the Sky is a studio album by the jazz trumpeter and composer Miles Davis.It was released on July 22, 1968, through Columbia Records. [2] It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track “Stuff”.
Born in Cleveland, Ohio, [1] Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. [2] The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940–41, Dameron was the piano player and arranger for ...