Search results
Results From The WOW.Com Content Network
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate; Help; Learn to edit; Community portal; Recent changes; Upload file
West Coast jazz. Cool jazz is a style of modern jazz music inspired by bebop and big band [1] that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music.
In the 1950s and 1960s, free jazz pioneers such as Ornette Coleman and Albert Ayler developed unusual new sounds and playing styles. In the early 1960s, Woody Herman's lead "(Four) Brother", Stan Getz, played cool jazz with Brazilian musicians in the emerging bossa nova style. Getz was known for his rich tone, ability to swing and impeccable ...
Alphonso Johnson (born 1951) Bill Laswell (born 1955) Marcus Miller (born 1959) Monk Montgomery (1921–1982) Jaco Pastorius (1951–1987) John Patitucci (born 1959) Steve Swallow (born 1940) Jamaaladeen Tacuma (born 1956)
Ruth Brown (1928–2006) Ane Brun (born 1976) Mari Kvien Brunvoll (born 1984) Joyce Bryant (1928–2022) Beryl Bryden (1920–1998) Michael Bublé (born 1975) Sarah Buechi (born 1981)
This category has the following 4 subcategories, out of 4 total. Cool jazz arrangers (5 P) West Coast jazz musicians (13 C, 4 P) Cool jazz musicians by instrument (13 C)
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an Mexian jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major ...
This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic, harmonic, and rhythmic capabilities. [1