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Cariñosa or Karinyosa is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is common in all. [31] Kuratsa
Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [ 1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Singkil is an ethnic dance of the Philippines that has its origins in the Maranao people of Lake Lanao, a Mindanao Muslim ethnolinguistic group. The dance is widely recognized today as the royal dance of a prince and a princess weaving in and out of crisscrossed bamboo poles clapped in syncopated rhythm. While the man manipulates a sword and ...
Aeta (Ayta / ˈ aɪ t ə / EYE-tə), Agta and Dumagat, are collective terms for several indigenous peoples who live in various parts of Luzon island in the Philippines.They are included in the wider Negrito grouping of the Philippines and the rest of Southeast Asia, with whom they share superficial common physical characteristics such as: dark skin tones; short statures; frizzy to curly-hair ...
Filipino traditional dance at a festival. Philippine folk dances include the Tinikling and Cariñosa. In the southern region of Mindanao, Singkil is a popular dance showcasing the story of a prince and princess in the forest. Bamboo poles are arranged in a tic-tac-toe pattern in which the dancers exploit every position of these clashing poles ...
Maglalatik. The Maglalatik (also known as Manlalatik or Magbabao) is a folk dance from the Philippines performed by male dancers. [ 1] Coconut shell halves are secured onto the dancers' hands [ 2] and on vests upon which are hung four or six more coconut shell halves. The dancers are shirtless and wear only red pants.
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988. [ 1][ 2][ 3]
In general, a dance education curriculum is designed to impart the knowledge and skills of performing dance for the students. Knowledge-oriented curricula may cover any of a diverse range of topics, including dance notation, human anatomy, physics, dance history, cultural aspects of dance, [citation needed] and music.