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The sound of jazz, along with musicians such as Armstrong, helped shape Hughes as a writer. Just like the musicians, Hughes wrote his words with jazz. [59] Armstrong changed jazz during the Harlem Renaissance. As "The World's Greatest Trumpet Player" during this time, [60] Armstrong cemented his legacy and continued a focus on his vocal career ...
Russia and Germany. Uruguay. Mexico. Local scenes. Atlanta, Houston. Plugg (also spelled plug) is a sub-genre of trap music that emerged in the mid-2010s via online distribution on platform SoundCloud. It was popularized by melodic Southern hip hop artists, and is characterized by deep 808 basslines, sparkly melodies, and melodic vocals.
Electro swing. Electro swing or swing house is a genre of electronic dance music that fuses 1920s–1940s jazz styles including swing music and big band with 2000s styles including house, electro, hip hop, drum & bass and dubstep. Footwork. The genre evolved from the earlier, rapid rhythms of juke and ghetto house.
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
According to the liner notes by Nat Hentoff [5] the composition was one of Remler's favorites from the Be-bop era. In 1990, Mal Waldron & Steve Lacy covered the tune on their album Hot House. In 1998 trumpeter Arturo Sandoval covered the tune on his big band album Hot House. In 1999, guitarist Larry Coryell covered the tune on his album Private ...
The Sermon! was the second of two albums recorded on two dates at The Manhattan Towers Hotel Ballroom, the first was Smith's previous album, House Party (1958). Rudy Van Gelder used the ballroom as a recording studio for recording sessions in 1957-1958, while he was still using his parents' Hackensack, New Jersey home studio to record artists for Blue Note.
Allmusic's Matt Collar rated the album four stars and stated, "Loose, swinging, funky, and spirited, Live at the House of Tribes is an absolute joy." [3] Jazz critic Ben Ratliff of the New York Times says of the album, "Throughout the record, the playing almost never goes outside of tonality, and the rhythm section holds fast to swing.
Golden age of hip hop. New jack swing, new jack, or swingbeat[1] is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Terry Lewis, new jack swing was most popular from the late 1980s to early 1990s.
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