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Learn what jazz improvisation is, how it differs from other genres, and how it is done by soloists and accompanists. Explore the history, styles and techniques of jazz improvisation with examples from various eras and artists.
He cites various jazz performers for the natural quality of their sound production, sound that makes each performer readily identifiable. A final brief section in this chapter, on improvisation, states that group improvisation, a hallmark of early jazz, is a distinctively African practice. Schuller counters a variety of other theories of the ...
Learn about the history and practice of musical improvisation in various genres and styles, from medieval to contemporary music. Find out how improvisers create spontaneous and expressive music based on chords, melodies, rhythms and harmonies.
A 1953 jazz music theory book by George Russell that postulates that all music is based on the tonal gravity of the Lydian mode. The book explains the Lydian Chromatic Scale, a prototype chromatic scale derived from the Lydian mode, and its influence on modal jazz.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation, and has many subgenres and regional scenes.
Free jazz is a style of avant-garde jazz or experimental improvisation that developed in the late 1950s and early 1960s. It rejects conventional jazz forms, such as regular tempos, tones, and chord changes, and draws on world music, non-Western music, and other genres.
Harmolodics is a musical approach that rejects tonal centers and traditional harmony, melody, rhythm, and time. It was developed by jazz saxophonist Ornette Coleman and his son Denardo, and inspired a style of jazz-funk called harmolodic funk.
Side-slipping is a method of playing outside, which involves playing over a scale, mode or chord that is harmonically distant from the given chord. Learn about different types of side-slipping, such as playing only the non-scale notes, adding distant ii–V relationships, or playing in a scale a half-step above or below a chord.