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1920s in jazz. The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. [1] Dances such as the Charleston and the Black Bottom were very popular during ...
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist.. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz".
1924 – "Fascinating Rhythm" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was first introduced by Cliff Edwards, Fred Astaire and Adele Astaire in the Broadway musical Lady Be Good. Cliff Edwards recorded a version of "Fascinating Rhythm" in 1924 that featured an early example of scat singing.
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider ...
Allowing jazz to rise up in American culture brought many unique things to music in 1920. New instrumental, orchestral, and rhythmic techniques were introduced, as well as twelve-bar blues, emotional expressiveness, a new scale, and unique forms (Murchison 98). In 1917, many jazz record companies began to conceal their identity because racial ...
Jelly Roll Morton. Ferdinand Joseph LaMothe ( né Lemott, [2] later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer of Louisiana Creole descent. [3] Morton was jazz's first arranger, proving that a genre rooted in improvisation could ...
Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, Armstrong followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band [als; fr].
The first jazz clubs in Shanghai initially targeted the Western elite, saw an influx of musicians, and acted as dance halls. Beginning in the 1920s, Shidaiqu entered into the mainstream of popular music. The Chinese pop song "Drizzle" ("毛毛雨") was composed by Li Jinhui around 1927 and sung by his daughter Li Minghui (黎明暉).