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Sax-a-Go-Go is the second album by Dutch alto saxophonist Candy Dulfer, released in 1993. It entered the US Billboard Top Contemporary Jazz Albums chart at No. 5 in February 1994, remaining on the chart for 31 weeks. [ 2] The album peaked at number 77 in Australia. [ 3] The album includes a version of Eugene McDaniels ' Vietnam War protest song ...
Cliffjumper appears in the 2010 video game Transformers: War for Cybertron. He is a red redeco of Bumblebee and unique to the Nintendo DS version of the game. Cliffjumper appears again in Transformers: Fall of Cybertron. He is playable in Chapter 4 of the game. In this chapter Cliffjumper and Jazz explore the Sea of Rust looking for Grimlock ...
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
Isfahan (song) " Isfahan " is a jazz piece credited to Billy Strayhorn and Duke Ellington and released on Ellington's 1967 album The Far East Suite; Isfahan is a city in Iran. It features long-time Ellington soloist Johnny Hodges on alto saxophone. It was originally called Elf when Strayhorn [1] composed it, months before the 1963 Ellington ...
Download as PDF; Printable version; In other projects Wikimedia Commons; ... This is a list of jazz musicians by instrument based on existing articles on Wikipedia ...
The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz ...
Clare Fischer. Producer (s) Richard Bock. " Morning " is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, [2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years ...
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