Search results
Results From The WOW.Com Content Network
In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality. [2]
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
The augmented scale: 0 3 4 7 8 11 (Root, minor 3rd, major 3rd, 5th, augmented 5th, major 7th, or minor 3rd, semitone, minor 3rd, semitone, minor 3rd, semitone) may appear to be an inexplicable omission on Messiaen's part. It is a symmetrical scale used frequently by modern jazz improvisers.
He was awarded a special Pulitzer Prize in 2007 citing his "masterful improvisation, supreme musicianship and iconic centrality to the history of jazz." [2] He was inducted into the North Carolina Music Hall of Fame in 2009. [121] A former home, the John Coltrane House in Philadelphia, was designated a National Historic Landmark in 1999.
The Charlie Parker Omnibook is published by Hal Leonard LLC. [2] Charlie Parker (1920–1955) was one of the pioneers of the Bebop style of jazz. This idiom is characterized by fast tempos, instrumental virtuosity, and improvisation over set harmonic structures. Parker’s style of playing and his harmonic treatment particularly in ...
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
Sheets of sound. Sheets of sound was a term coined in 1958 by DownBeat magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. [1] [2] Gitler first used the term on the liner notes for Soultrane (1958). [3]
Third stream is a music genre that is a fusion of jazz and classical music. The term was coined in 1957 by composer Gunther Schuller in a lecture at Brandeis University. There are many ways to define third-stream music. It could refer to a group of jazz musicians playing solely, or a jazz soloist performing with a symphony orchestra, as long as ...