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In recent years, Gisbert has become an active and highly respected jazz educator, teaching at festivals and conducting clinics across the United States. He also had two stints on the Jazz faculty at the University of Miami in the 2000s. He has also branched out in producing; bringing the up-and-coming conductor and composer, Chie Imiazumi, to ...
The most common form of sacred jazz is the Jazz Mass. Although most often performed in a concert setting rather than church worship setting, this form has many examples. Eminent examples of composers of the Jazz Mass include Mary Lou Williams and Eddie Bonnemère. Having become disillusioned with her life as a secular performer, Williams ...
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Live at the Hilcrest Club 1958 (originally released in 1970 by America Records as The Fabulous Paul Bley Quintet) is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. [1]
Scott was first attracted to the organ in her father's church at age seven. "It's really the most beautiful instrument in the world", she stated in a 2002 interview. "The first thing I did was take my shoes off and work the pedals." [5] From then on she always played her church organ in her bare feet, a practice she continued for decades. [6]
Manteca (song) " Manteca " is one of the earliest foundational tunes of Afro-Cuban jazz. Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier "A Night in Tunisia") and is "one of the most important records ever made in the United States", according to ...
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
Wright was born in the small town of Hahira, which is northwest of Valdosta, Georgia, one of three children and the daughter of a minister and the musical director [2] of their church. She started singing gospel music and playing piano in church as a child, and became interested in jazz and blues. She attended Houston County High School in ...