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Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Picnic Suite for Guitar, Flute and Jazz Piano Trio Toot Suite Suite for Chamber Orchestra and Jazz Piano Trio Suite for Cello and Jazz Piano Trio Suite No. 2 for Flute and Jazz Piano Trio Sonatas for Two Pianists: Aaron Copland: 1920–21 1925 1926 1946 1947–48 1949 1961 Three Moods for piano Music for the Theater Concerto for Piano and ...
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
Cecil Percival Taylor (March 25, 1929 – April 5, 2018) [ 1][ 2][ 3] was an American pianist and poet. [ 4][ 5] Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms.
George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book Lydian Chromatic Concept of Tonal Organization (1953). [ 1]
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
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