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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Motion camouflage is camouflage which provides a degree of concealment for a moving object, given that motion makes objects easy to detect however well their coloration matches their background or breaks up their outlines. The principal form of motion camouflage, and the type generally meant by the term, involves an attacker's mimicking the ...
Many of the performances took place in renowned jazz venues, such as the prestigious Dazzle Jazz Club in Denver (a sold-out event), the Ice House in Minneapolis and Blue Bamboo in Orlando. As part of the tour, Cafêzz participated in two special concerts, one of them at “Lamuza Parkeko Kasinoak” in Basque Country; [13] the other at the ...
Spasm band. A spasm band is a musical group that plays a variety of Dixieland, trad jazz, jug band, or skiffle music. The term "spasm" applied to any band (often made up of children) who made musical instruments out of objects not usually employed for such. The first spasm bands were formed on the streets of New Orleans in the late eighteen ...
"Razzle Dazzle" became the hit reaching #15 on the Billboard chart. " Two Hound Dogs" reached #31 on the Cash Box chart on the week ending on July 16, 1955 in a 3-week chart run. [4] The recording was produced by Milt Gabler at the Pythian Temple studios in New York City and appeared on the 1956 Decca Records album Rock Around the Clock .
In jazz, a turnaround is a passage at the end of a section which leads to the next section. This next section is most often the repetition of the previous section or the entire piece or song. [1] The turnaround may lead back to this section either harmonically, as a chord progression, or melodically .
On the Razzle is a play by Tom Stoppard which premiered at the Royal National Theatre, London in 1981. It is an adaptation of the 1842 Viennese play Einen Jux will er sich machen by Johann Nestroy, which had been adapted twice by Thornton Wilder. The first Wilder version, 1938, entitled The Merchant of Yonkers, was faithful to the original ...
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.