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In non-fugal compositions, a stretto (also sometimes spelled stretta) is a passage, often at the end of an aria or movement, in faster tempo. [1][2] Examples include the end of Franz Liszt 's transcendental etude No.10, the end of the last movement of Beethoven 's Fifth Symphony; measure 227 of Chopin 's Ballade No. 3; measures 16-18 of his ...
Tempo rubato (Italian for 'stolen time'; UK: / ˈtɛmpoʊ rʊˈbɑːtoʊ /, US: / ruː -/, [1][2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor. Rubato is an expressive shaping ...
Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level[ 1 ] (or beat level). [ 2 ] The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be ...
In music theory, voicing refers to two closely related concepts: How a musician or group distributes, or spaces, notes and chords on one or more instruments. The simultaneous vertical placement of notes in relation to each other; [5] this relates to the concepts of spacing and doubling.
Jazz piano is a collective term for the techniques pianists use when playing jazz. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic and harmonic capabilities. For this reason it is an important tool of jazz ...
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