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In a review for AllMusic, Stephen Thomas Erlewine wrote: "As a historical document, this is a necessary footnote, providing evidence that the experimental side of Coltrane did not lay dormant during the early '60s, but the pleasant surprise is that Both Directions at Once is also enjoyable on its own terms as a long-playing record...
Heavy Weather is the seventh album by Weather Report, released in 1977 through Columbia Records. The release sold about 500,000 copies; it would prove to be the band's most commercially successful album and one of the best sellers in the Columbia jazz catalog. DownBeat magazine gave Heavy Weather a 5-star review, and later its readers voted it ...
Professional ratings. Freedom Jazz Dance: The Bootleg Series, Vol. 5 is a 3-CD box set by the Miles Davis Quintet compiling studio recordings by jazz trumpeter Miles Davis recorded between 1966 and 1968. [8] The album contains remastered versions, alternate takes, and conversations among the musicians.
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records (under the guise of the fictitious Telegraph label). Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock ...
Mingus Moves (Atlantic SD 1653) is one of the late works of American jazz bassist, composer, and bandleader Charles Mingus. He hired three new musicians for the recording: Don Pullen on piano; Ronald Hampton on trumpet, and George Adams on tenor saxophone. Drummer Dannie Richmond, a stalwart of Mingus's bands in the 1950s and '60s, rejoined the ...
The Allmusic review by Matt Collar states: "the icon of '50s cool attempted to reinvigorate his career and showcase his musical growth by enlisting the sensitive piano chops of Hal Galper and old collaborator tenor saxophonist Phil Urso.
The we’re-never-going-to-play-together-again-to-lucrative-reunion trail is well-worn at this point — just ask such famously feuding acts as the Eagles, Guns ‘N Roses, Pixies and, most ...
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